Some bits and pieces about my book-in-progress

Cows and elm

I have a confession to make: I’m writing a book.

I have been reluctant to write about it here, due to equal parts shyness and a desire to commit myself to blogging rather than advertising. However, my friend Lisa Taylor, a poet and the mother of naturalist Kira Taylor, asked if I would participate in a Q & A for authors who have either just published a book or on the cusp of doing so. I don’t want to disappoint an old friend, and I would like to start sharing this project with those outside of my family and Facebook feed. So, here we go! Lisa, by the way, also wrote of her up-and-coming collection of poetry, Necessary Silence, as well as a novel that’s in the works. You can read her words here.

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What is the working title of your book?
My current working title is “Streets of Wilderness: A Song of the Urban Wild in Twelve Parts.” A bit redundant; I’m working on it.

Where did the idea come from?
Before I started living in Boston full-time I spent a growing season in rural Maine. It was difficult to make the transition from a wooded homestead to a residential neighborhood wrought with houses, asphalt, and the incessant ebb and flow of traffic. I quickly began to feel suffocated, but found hope in the plants and animals that I saw thriving in the city, domesticated and wild alike. I began writing little things about them in this blog, mentioned to a friend that it would be interesting to turn my observations into a book, and things bloomed from there.

What genre does your book fall under?
Nature writing.

Which actors would you choose to play your characters in a movie rendition?
In my dream world Jacob Feiring directs the documentary and David Attenborough narrates it. I suppose that there would also be random glamor shots of, say, Scarlet Johansson walking seductively down a street while a raccoon scurries behind her, going after a bit of pizza crust.

What is a one-sentence synopsis of your book?
A poetic exploration of a year in the urban wild.

How long did it take you to write the first draft of your manuscript?
About twelve months.

What other books would you compare this story to within your genre?
In writing of various wild species, landscapes, and situations one month at a time, I have adopted the format used by Aldo Leopold in his Sand County Almanac. My book is also akin to Annie Dillard’s Pilgrim at Tinker Creek for its examinations of place, natural phenomenon, and the blissful, life-quenched realities of day-to-day life. (That’s what I’d like to think, anyway!)

Who or what inspired you to write this book?
Though I’ve spent significant time in rural areas, the majority of my life has been spent in the post-industrial landscapes of Milwaukee and the brick and glass neighborhoods of Boston. After years of uneasy ennui in these cities, I finally had the realization that, in order to thrive, I had to seek out the organic among the man-made, the places in the cracks where cells were photosynthesizing, dividing, and driving new life. I found, by mindfully observing these pieces of urban life, from trees breaking concrete to coyotes moving silently through cemeteries, I became more resilient, more fascinated, more able to accept what the city brings. This book is both an ode of thanks to the tenacious things that have helped me to survive, and is also a way to keep me awake and alive with curiosity.

What else about your book might pique a reader’s interest?
People are drawn to the untamed, and because the majority of us live in cities, it is becoming increasingly common that we only experience the undomesticated through an urban lens. Humans are naturally intrigued by our surroundings and anxious to understand them. However, it can be challenging to see what is around us, either because we don’t know where to look or because what we seek is so ubiquitous that it slips by. Hopefully those interested in finding and appreciating the nature around them will enjoy this book.

When and how will it be published?

My book will be published as an e-book by an imprint of Village Earth Press, and should be out sometime this year. I will post updates as I complete it and continue to traverse the mysterious landscapes of the publishing world!

Please come again next Tuesday as Erin Therrien will be a guest blogger here, doing her own Q&A on the recently published Wild Dyes: Natural Dyeing in Wisconsin and the Upper Midwest. She writes of many dye plants that just so happen to be found in lots of North American cities.


The drawings in this post and at the site’s header are the work of Laura Grover, a prolific artist currently based just north of Portland, Maine. These illustrations are all works that Laura has done for my book. Laura is also currently working on a graphic novel about the history of her family.

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